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Oct 1

Brooke Shields: Art or Porn?

Posted on Thursday, October 1, 2009 in culture

A superb debate by John Ozimek in Index on Censorship:

Were police right to warn Tate Modern about displaying a naked image of a 10-year-old Brooke Shields, asks John Ozimek

Art or porn? This time the question raises its ugly head in respect of a picture of actress Brooke Shields — originally taken by photographer Gary Gross, and reproduced by artist Richard Prince in a work entitled Spiritual America — shot when she was ten years old. She is naked, posed next to a bathtub, gazing provocatively into the eye of the lens.

The picture’s composition is without doubt sexual in nature — and this has caused a few local difficulties for Tate Modern gallery curators who, following words with the Metropolitan Police, are now considering whether or not to continue to exhibit this particular work.

As the Met put it, they are “keen to work with gallery management to ensure that they do not inadvertently break the law or cause any offence to their visitors”.

As the law stands, the Met almost certainly have a point. The Protection of Children Act 1978 makes it illegal to possess or distribute indecent images of children. Indecency is not defined precisely in law — that is for a jury to determine — but over the years the courts have evolved a categorisation of imagery that ranges from level 1 (least serious) to level 5 (most serious).

For an image to be deemed illegal at level one, Crown Prosecution Service Guidelines require only that it include elements of erotic posing.

Level one is problematic. First, because it is at the lower end of what society considers wrong: in fact, it includes images that significant sections of society do not consider to be wrong at all. So it is the place where police and authorities are most likely to be accused of over-reacting. They have had to retreat before — most notably in respect of images by noted artist Nan Goldin.

It is, too, the site of a fierce debate about whether the law should be quite as prescriptive as it now is: first, because some critics argue that to ban level one imagery is to view children increasingly through the eyes of the paedophile; and second, because even those who are deeply committed to combatting child abuse feel that it can be a distraction, focusing debate on more ambiguous images — when in fact, the real issue lies in those images that depict, in horrific detail, real harm being inflicted.

So how should we react to this latest installment in the developing debate over child porn? First, the curious should be aware that if — as seems likely — this image does breach the law, curiosity is no excuse. Viewing it and, therefore, downloading it into cache may well be a criminal offence. Beware: you have been warned.

So will the Internet Watch Foundation act to block it? Having had their fingers well and truly burned over another popular artistic image of a naked child last year (the Scorpions’ Virgin Killer album cover), it is possible they will not take action this time round.

The problem, as they discovered to their cost then, is that the simple act of banning a widely available image tends to encourage its distribution. In the end they decided, pragmatically, that not banning might be the more sensible course of action.

However, this furore does raise one important issue that may in the end transcend the question of porn and indecency — and that, quite simply, is the question of an individual’s control over their own image. In the case of the Scorpions’ image, the picture was taken by the subject’s mother and the subject — now adult — has since been reported as being perfectly happy with it.

In this case, Brooke Shields is definitely unhappy with the existence of the image in the public sphere. Permission to use these images was signed away by her mother when she was just 10 — and Shields has been to court since in an unsuccessful attempt to regain control of the negatives.

It is clearly one thing for an adult to enter into a contractual arrangement in respect of images of themselves and in most cases, there are strong arguments for upholding that contract. Perhaps it is time to think again about contracts entered into by an adult on behalf of a child: not to outlaw them; but to give the adult that the child eventually becomes the absolute right to review such a contract.

If we genuinely believe that adults may suffer as a result of bad decisions taken when they were children, it is the least we can do.

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Sep 10

Arrest that Photographer! He Could be a Paedophile!

Posted on Thursday, September 10, 2009 in civil liberties, News

Our over-inflated fears about terrorism and paedophilia are continuing to attach themselves to photography and photographers, for reasons which still don’t make any sense to me:

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An ugly incident marred this year’s International Birdman competition. As thousands watched human-powered flying machines being launched from Worthing pier, a man took some photographs of children on the promenade west of the Lido.

Fortunately a concerned citizen spotted him and alerted one of the event’s stewards, who immediately called the police. They were on the spot within seconds, according to Sharon Clarke, Worthing’s town centre manager. “What it showed was that with everyone working together, things can be stopped immediately,” a reassuring thought for the anxious readers of the Sussex-wide evening paper, The Argus, which led its front page on the outrage.

Officers arrested the offender and seized his camera. They then contacted Suffolk police, who searched the man’s home in Ipswich and took away computer data. So far, there seems no reason to suppose that anything untoward was found, but a Home Office laboratory is to conduct an in-depth examination of the material that was impounded.

It’s a strange world we live in when taking innocuous shots of children in a festival crowd can be presumed to be evidence of paedophilia. Of course it doesn’t mean that wasn’t the case, but the fact that it should be the initial presumption is just bizarre. It’s another symptom of the social malaise which led to the creation of the Independent Safeguarding Authority (ISA), with its free hand to make such presumptions without hard evidence of anyone in jobs which may involve contact with anyone the ‘authority’ deems ‘vulnerable’. Which came first, the Home Office’s pushing ‘protection’ as a solution, without a significant problem, or are these fears about paedophilia a reflection of other insecurities in society? We need to understand the causes of this moral panic in order to stop it and stop demonising an increasing number of innocent adults.

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